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Renata Pereira Lima
  1. Beef With God Collection
  2. Screen As Stage V22, Material Art Fair Vol. 8
  3. My Drowning Looks Like Dancing, Art Basel
  4. Screen As Stage
  5. III
  6. Quad (In Reverse)
  7. The Body Keeps the Score: Blink/Yawn Registry
  8. Meadow MXX CDMX, Kurimanzutto
  9. Choreographic Objects: Bible
  10. Cross Walk
  11. La Loquita
  12. @Arbitraryplacements
  13. Rhythm Structuring Film / Film Structuring Rhythm
  14. 4x3, 3x4
  15. The Quarterless Review
  16. Improv Studies

The D. Word
Archive

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Renata Pereira Lima
2021    Paprika Pony 
2021    #FamiliaGolpeaADoctoraEnFarmacia
2020    La Loquita 
2020    Mabe Fratti 
2020    Non Essential Movement 
2020    Toxic Masculinity 
2020    Met Jesus Down in The Corn Fields   
2020    I Will Talk You Will Listen 
2020    A Reverent Silence 
2020    Renata danst Rosas 
2020    Selective Attention Test 1 
2019    Indian Flute Meditation
2019    Porches
2019    Sharp Yet Soft 1,2,3
2019    Improv on an island in Ecuador 
2018    Pavé Crystal Jewelry Box with 4 Charms 
2018    Labia Boys
2018    Panic Bride Runaway 
2018    Like A Sweaty Dog For Instance 
2018    Duration of 3 Traffic Lights 
2017    Asia 
2017    Maspeth 
2017    Primavera Sketch 1,2,3
2016    A Manifesto: From Beginning to End 
2016    White Noise



Choreographic Collages: Assembling, layering, projecting, fragmenting, cutting, zooming in-zooming out, juxtaposing, freezing etc. in video making. The camera (the frame) and the ways in which footage is edited should take the role of the cho- reographer. Sensitivity to rhythm, framing and screen projection is crucial.