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<channel>
	<title>beefwithgod</title>
	<link>https://beefwithgod.com</link>
	<description>beefwithgod</description>
	<pubDate>Tue, 13 Oct 2026 23:11:06 +0000</pubDate>
	<generator>https://beefwithgod.com</generator>
	<language>en</language>
	
		
	<item>
		<title>NEW HOME GALLERY</title>
				
		<link>https://beefwithgod.com/NEW-HOME-GALLERY</link>

		<pubDate>Sun, 05 Oct 2025 20:12:07 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

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		<description>Beef With God
Movement Direction
Choreogrpahy
Performance
/A
</description>
		
	</item>
		
		
	<item>
		<title>HOME</title>
				
		<link>https://beefwithgod.com/HOME-2</link>

		<pubDate>Tue, 13 Oct 2026 23:11:06 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

		<guid isPermaLink="true">https://beefwithgod.com/HOME-2</guid>

		<description>Renata Pereira Lima
Rosalia&#38;nbsp;
Fenty Puma
Vogue&#38;nbsp;
Coeval Magazine
King Kong MagazineMiddle Plane Magazine
Metal Magazine
Amelia Gray
Zoe Gustavia Anna Whalen
Wig
Tei Shi
La Goony Chonga
Addison Rae
Chappell Roan
Tate Mcrae
Boy Harsher
MaruchiDeniz Bluemenstein

Michelle Del Rio
Robert Longo
/ CV
/ Info




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	<item>
		<title>Contact</title>
				
		<link>https://beefwithgod.com/Contact-2</link>

		<pubDate>Tue, 10 Sep 2024 15:27:02 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

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		<description>
	&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/be09752d0dad8826c707d2963361fdfa61e1794f34e7c4232b00224bd1444c1c/30A8CC69-EA37-4327-9E0E-392B26367629.JPG" data-mid="253357318" border="0"  src="https://freight.cargo.site/w/1000/i/be09752d0dad8826c707d2963361fdfa61e1794f34e7c4232b00224bd1444c1c/30A8CC69-EA37-4327-9E0E-392B26367629.JPG" /&#62;

	B. (1994) Through choreography, I design movement in both real-time and digital, performing twofold: the body does its thing and the body does its thing on video. Video-making highlights choreography’s function as a multi-tool that can annotate and archive the performance, blurring the lines between what was the dance, the behavior, the labor, etc. Where performance would otherwise be ephemeral, it becomes a record to be revisited, expanded out from its initial site. In real-time the body is dancing in Teotihuacan, is braiding hair in Grand Central, is interpreting music, architecture… the body is then echoed in the editing, re-choreographed by the software and how I click it.Multi-lingual, Cuban-Brazilian, born in Miami, based in NYC. My work is inseparable from the context.hello@renpl.org

@renpl






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	</item>
		
		
	<item>
		<title>Work</title>
				
		<link>https://beefwithgod.com/Work-4</link>

		<pubDate>Sun, 03 Aug 2025 22:55:48 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

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		<description>
	MOVEMENT DIRECTION
PRINT The FallFacing The Nightmare&#38;nbsp;Summer Nights; An Ode, With Fashion Made&#38;nbsp;to Move InNothing, EverythingLady Lisa Lyon, Robert Mapplethorpe
IMAGE
204L NEW BALANCE x ROSALIALightweight CollectionCLUB KIDSAmelia Gray
Deniz Blumenstein&#38;nbsp;
WIG x CRUDA
Men In The Cities, Robert Longo

VIDEO

Patty CakeGOOD SQUISHLeret Leret CashmereJax Jones, MNEKSubho Shaam
LIVE

Zoe Gustavia Anna Whalen
Zoe Gustavia Anna Whalen
Scent
Kahle&#38;nbsp;
	




Coeval Magazine by Joaquin Castillo

Metal Magazine Issue 52 by Joaquin CastilloVogue Magazine Summer 2025Nuts Magazine by Rebekah Campbell
Middle Plane Magazine by Sharna Osbourne



New Balance 2026 by Alex Harper
Fenty x Puma 2026 by YIZKID
Maruchi House by Erica Snyder

Palm Heights Hotel by Beef With God
2024 Campaign by Alicia Mersy
2025&#38;nbsp;Campaign by Sybren Jonas
Nicole Steriovski x Beef With God



King Kong Magazine&#38;nbsp;
2024 Sport Squish Collection
2024 Video Campaign“Where Did You Go?“
Ali Sethi
SS2025 NYFW PresentationFW2024 NYFW Presentaiton
FW2019 CDMX PresentationFW2018 NYFW Presentation


	

COMMERCIAL, PERFORMANCE 
VIDEO

JEANSNobody’s GirlThe Subway Fame Is A GunUneasy Tera Sitam Lovely Bukharr Steve Madden Win ItGAP

LIVE

La Goony ChongaTorraine Futurum
	

Boy Harsher
Tate McRae
Chappel RoanAddision RaeSuzy ClueAli SethiAli SethiSteve Madden Fall Campaign 2024
Lola Kirke
Gap Spring Campaign 2018


Ceremonia Music Festival 2023 CDMXBaby’s All Right



	

COMMERCIAL, CHOREOGRAPHY
VIDEO

Jack In The BoxNo Falta
	
	
 La Hora De PerrearThe Growlers
LIVE

Stella Santana
	
	
Sossee
Tei ShiLa Goony ChongaNight Ride



Moon Room, Los Angeles, CA



	

PERFORMANCE WORK&#38;nbsp;
Tango 2025Tres Chicas y la Silent Disco, 2025Tango, 2024Screen As Stage&#38;nbsp;III, 2024SSS, 2024Drips, 2022SSS, 2022SSS, 2022Screen As Stage II, 2022My Drowning Looks Like Dancing, 2021Screen As Stage, 2021III, 2021 III, 2020Quad (In Reverse), 2020The Body Keeps the Score, 2019Caminata la Serpiente, 2018On The Conventions Of Drawing, 20184X3, 3X4, 2018Rhythm Structuring Film, 2018Wet Foot, Dry Foot, 2017
	


Honey’s Brooklyn, NY
Paseo de la Reforma, Mexico City, MXKi Smith Gallery, New York, N
Colector Gallery x Material Art Fair, Mexico City, MXThe Clemente Soto Theater, New York, NY
Pageant. Brooklyn, NY
Kunsthal Charlottenborg Museum Courtyard, Copenhagen, DK
Lago Algo, Mexico City, MX
Immaterial Art Fair Volume 5, Mexico City, MX
Vernacular Institute x Art Basel, Miami, FL
Vernacular Institute, Mexico City, MX
Vernacular Institute, Mexico City, MX
Sala Silvestre, Aguascalientes, MXTotem Magazine, Mexico City, MX
Articulo 123, Mexico City, MX
Museo el Eco, Mexico City, MX
Frontera 115, Mexico City, MX
Los 14, Mexico City, MX
Los 14, Mexico City, MX
PWR PLNT Gallery, Brooklyn, NY




	

PERFORMANCE WORK,&#38;nbsp; 
ARTIST’S / GROUP SHOWS

Bonita Bonice by NicoleSOLAZTransmission by Beef Wtih God x Grave xAct I of LIBRARY by&#38;nbsp;Kellian DeliceRelay by&#38;nbsp;Iliana RamírezBass Seed&#38;nbsp;by Sigrid LaurenAll Things Under Dog, Where Two Things Are Always True&#38;nbsp;by&#38;nbsp;Monica MirabileScreamer’s Vision (Handshoe Pumps) by&#38;nbsp;Isabel Eatherly LegateMEADOW MXX CDMX&#38;nbsp;by&#38;nbsp;Nikima JagudajevMEADOW MXX CDMX by&#38;nbsp;Nikima JagudajevIf A Child Set The World On Fire by&#38;nbsp;Dance LawyerInstant Narrative by&#38;nbsp;Dora Garcia
	
Wig, Mexico City, MX
Antonio Ruz Company, Mexico City, MX

Artist Space, New York City, NY
Performance Space New York, New York City, NY
Pageant, New York, NYFrieze Art Fair, New York, NY

Performance Space New York, New York City, NY

Alyssa Davis Gallery Gala, 99 Scott, Brooklyn, NYImmaterial Art Fair Volume 4, Mexico City, MX
Kurimanzutto, Mexico City, MX
Museum Gallery,&#38;nbsp;Brooklyn, NY

Immaterial Art Fair Volume 3, Mexico City, MX


	

SPECIAL PROJECTS

SAA Committee MemberThe Power of Play, Palm Heights HotelMoving Colors, Rutgers University&#38;nbsp;
	


Ongoing Monthly Workshops
7 Day Dance RetreatUniveristy Lecture


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	<item>
		<title>Archive</title>
				
		<link>https://beefwithgod.com/Archive</link>

		<pubDate>Tue, 10 Sep 2024 17:37:50 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

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	IMAGES

&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/7af40110eb5d74e8b0e1529a84158f0d7d61c95b4ab392f30f1f7263cefb6e99/DSCF0068.JPG" data-mid="217835018" border="0"  src="https://freight.cargo.site/w/1000/i/7af40110eb5d74e8b0e1529a84158f0d7d61c95b4ab392f30f1f7263cefb6e99/DSCF0068.JPG" /&#62;

	VIDEO
&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/e9c913777c71f2e01af2bdb52158002053002b5b44504e2bf43e22210c24979c/DSCF0727.JPG" data-mid="217835012" border="0"  src="https://freight.cargo.site/w/1000/i/e9c913777c71f2e01af2bdb52158002053002b5b44504e2bf43e22210c24979c/DSCF0727.JPG" /&#62;


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		<title>Images</title>
				
		<link>https://beefwithgod.com/Images</link>

		<pubDate>Fri, 13 Sep 2024 01:23:35 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

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		<description></description>
		
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		<title>Tango</title>
				
		<link>https://beefwithgod.com/Tango</link>

		<pubDate>Mon, 25 Mar 2024 16:05:47 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

		<guid isPermaLink="true">https://beefwithgod.com/Tango</guid>

		<description>TANGO, 2024.
Ki Smith Gallery. NY. &#38;nbsp;


&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/1b293da130ca3f210f2138220710015ac0d0e7d97f4e6fc5e5d8d40fdff0243b/Screenshot-2024-04-01-at-1.47.20-PM.png" data-mid="208211205" border="0"  src="https://freight.cargo.site/w/1000/i/1b293da130ca3f210f2138220710015ac0d0e7d97f4e6fc5e5d8d40fdff0243b/Screenshot-2024-04-01-at-1.47.20-PM.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/d01426ec23a827d5430938c39007833b6ee7ca333f5a6b99872f0cb15ff80b9a/Screenshot-2024-04-01-at-1.47.45-PM.png" data-mid="208211206" border="0"  src="https://freight.cargo.site/w/1000/i/d01426ec23a827d5430938c39007833b6ee7ca333f5a6b99872f0cb15ff80b9a/Screenshot-2024-04-01-at-1.47.45-PM.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/414169558e5146eeba6f1fb85d600ea9966f7e11f1929f600704ffd7824c5460/Screenshot-2024-04-01-at-1.47.00-PM.png" data-mid="208211204" border="0"  src="https://freight.cargo.site/w/1000/i/414169558e5146eeba6f1fb85d600ea9966f7e11f1929f600704ffd7824c5460/Screenshot-2024-04-01-at-1.47.00-PM.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/3fe819ad748bf0f9ce991b0734b417a4c2587ce66043cb18716c1663aa2a2703/Screenshot-2024-04-01-at-1.35.17-PM.png" data-mid="208211190" border="0"  src="https://freight.cargo.site/w/1000/i/3fe819ad748bf0f9ce991b0734b417a4c2587ce66043cb18716c1663aa2a2703/Screenshot-2024-04-01-at-1.35.17-PM.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/d790e678c8fbfc1a1242078b1a5727d61b5bacb3267533793c379a76852eda1b/Screenshot-2024-04-01-at-1.45.42-PM.png" data-mid="208211202" border="0"  src="https://freight.cargo.site/w/1000/i/d790e678c8fbfc1a1242078b1a5727d61b5bacb3267533793c379a76852eda1b/Screenshot-2024-04-01-at-1.45.42-PM.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/ce5eea073c1b5335a92cf7493711034a90186eaeac5c71489676ec1d0cd2eb36/Screenshot-2024-04-01-at-1.28.02-PM.png" data-mid="208211188" border="0"  src="https://freight.cargo.site/w/1000/i/ce5eea073c1b5335a92cf7493711034a90186eaeac5c71489676ec1d0cd2eb36/Screenshot-2024-04-01-at-1.28.02-PM.png" /&#62;
&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/bd0877bf714d1ed70d3f188a315514ea10d01fdd9176d46a2ed177fdc995d812/Screenshot-2024-04-01-at-1.25.47-PM.png" data-mid="208211184" border="0"  src="https://freight.cargo.site/w/1000/i/bd0877bf714d1ed70d3f188a315514ea10d01fdd9176d46a2ed177fdc995d812/Screenshot-2024-04-01-at-1.25.47-PM.png" /&#62;
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&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/fa7a18650ec2a52ef3c3f459a7d6ef502877542d3eddd5af5d7f410a7b7c6f86/Screenshot-2024-04-01-at-1.27.48-PM.png" data-mid="208211186" border="0"  src="https://freight.cargo.site/w/1000/i/fa7a18650ec2a52ef3c3f459a7d6ef502877542d3eddd5af5d7f410a7b7c6f86/Screenshot-2024-04-01-at-1.27.48-PM.png" /&#62;
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&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/2f77d3969132ebb4878699fc5b5868a0dc4f16f535f78b91665246b337ace9d6/Screenshot-2024-04-01-at-1.45.09-PM.png" data-mid="208211198" border="0"  src="https://freight.cargo.site/w/1000/i/2f77d3969132ebb4878699fc5b5868a0dc4f16f535f78b91665246b337ace9d6/Screenshot-2024-04-01-at-1.45.09-PM.png" /&#62;
&#60;img width="1824" height="1364" width_o="1824" height_o="1364" data-src="https://freight.cargo.site/t/original/i/f777fee5e3063b7cc1919df3594e8e13fa64237bc19492d9e6e9e7e347a5eb09/Screenshot-2024-03-25-at-12.09.36-PM.png" data-mid="207557136" border="0"  src="https://freight.cargo.site/w/1000/i/f777fee5e3063b7cc1919df3594e8e13fa64237bc19492d9e6e9e7e347a5eb09/Screenshot-2024-03-25-at-12.09.36-PM.png" /&#62;
At the boundary of choreo-graphs, diagram and notation: Tango (2024) responds to Andy Warhol’s “Dance Diagram (Tango)” from 1962 as an attempt to (mis)read and (re)write a new version. Choreographed by Renata Pereira Lima and performed alongside Aime Grumbach, Sofia Quezaire and musician, Isaiah Barr, Tango (2024) plays with the notion of invisible choreography made present through erosion of movement; “trying to capture something that is always already lost in the moment of its production.”
Choreographer: Renata Pereira Lima

Performers: Aime Grumbach, Sofia Quezaire, Isaiah Barr, Matthew McAuley

Documentation by: Danielle Aphrodite

Costume Designer: Deniz Bluemenstein

Poetry &#38;amp; Pose: Screen Tests by Andy Warhol
Curated by: Greg Pierce

</description>
		
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	<item>
		<title>Screen As Stage V3</title>
				
		<link>https://beefwithgod.com/Screen-As-Stage-V3</link>

		<pubDate>Mon, 25 Mar 2024 15:43:30 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

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		<description>Screen as Stage V3, 2024.
Material Art Fair X Colector


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&#60;img width="4608" height="3072" width_o="4608" height_o="3072" data-src="https://freight.cargo.site/t/original/i/aa1e01270efdf57eab60810486a961050312c9d3f128414e0c2167070647a577/DSC09945.jpg" data-mid="207546475" border="0"  src="https://freight.cargo.site/w/1000/i/aa1e01270efdf57eab60810486a961050312c9d3f128414e0c2167070647a577/DSC09945.jpg" /&#62;
This piece explores choreography through, with and for the camera. Considering the camera and the screen as spaces of representation. The materials of the piece become an extension of the choreographers, not only choreographic materials, but materials that create choreography. In this way, we echo, jump, and superimpose ourselves in images projected on different sides of a specific site. We create, contain, manipulate and modify the image, creating multiple scenarios of presentation and representation. We offer different perspectives and versions of the same score, inviting the viewer to take on the role of choreographer as well.

Choreographic Conception: Ana G Zambrano, Renata Pereira Lima
Choreographers: Renata Pereira Lima, Camila Arroyo, Ana G Zambrano 
Direction: Ana G. Zambrano
Sound and media design: HΞЯÐ
Video: Gerardo Cruz
Stage Design: Ana G Zambrano
Producción: HΞЯÐThank you to Jo Ying Peng, Vernacular Institute
</description>
		
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	<item>
		<title>Screen As Stage V22</title>
				
		<link>https://beefwithgod.com/Screen-As-Stage-V22</link>

		<pubDate>Fri, 13 Oct 2023 18:53:24 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

		<guid isPermaLink="true">https://beefwithgod.com/Screen-As-Stage-V22</guid>

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	Screen As Stage, 2022.
Material Art Fair Vol. 8Galeria Colector. Monetrey, Mexico.


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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/bddcf413846164d4a6dc1064349825689befcb9890dc04bf0577aa7edf9e758f/ScreenAsStageRender3.png" data-mid="193633930" border="0"  src="https://freight.cargo.site/w/1000/i/bddcf413846164d4a6dc1064349825689befcb9890dc04bf0577aa7edf9e758f/ScreenAsStageRender3.png" /&#62;
&#60;img width="1157" height="659" width_o="1157" height_o="659" data-src="https://freight.cargo.site/t/original/i/d924fcf68633d99e454a51d132747197bb6f1801393403cd911d76811bfe6ee8/IMG_7623.PNG" data-mid="193633934" border="0"  src="https://freight.cargo.site/w/1000/i/d924fcf68633d99e454a51d132747197bb6f1801393403cd911d76811bfe6ee8/IMG_7623.PNG" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2067fb1290106653d0d53e7a66343f704b6effe3565c324b3fd48935ac56f28a/ScreenAsStageRender2.png" data-mid="193633932" border="0"  src="https://freight.cargo.site/w/1000/i/2067fb1290106653d0d53e7a66343f704b6effe3565c324b3fd48935ac56f28a/ScreenAsStageRender2.png" /&#62;
&#60;img width="1398" height="868" width_o="1398" height_o="868" data-src="https://freight.cargo.site/t/original/i/32f94edb6fea09ba043935e5395ea7d636165e57c3d34c3dafffe79d47576008/Screen-Shot-2022-05-17-at-1.15.01-PM.png" data-mid="193633943" border="0"  src="https://freight.cargo.site/w/1000/i/32f94edb6fea09ba043935e5395ea7d636165e57c3d34c3dafffe79d47576008/Screen-Shot-2022-05-17-at-1.15.01-PM.png" /&#62;
&#60;img width="1404" height="876" width_o="1404" height_o="876" data-src="https://freight.cargo.site/t/original/i/c538fd2061e843736590f66be268e9b9235e82c548331e0bd4398eea531953ff/Screen-Shot-2022-05-17-at-1.20.37-PM.png" data-mid="193633944" border="0"  src="https://freight.cargo.site/w/1000/i/c538fd2061e843736590f66be268e9b9235e82c548331e0bd4398eea531953ff/Screen-Shot-2022-05-17-at-1.20.37-PM.png" /&#62;
&#60;img width="1394" height="742" width_o="1394" height_o="742" data-src="https://freight.cargo.site/t/original/i/f5a29a4d115a53c3aa5843eb47ee049594c6f8a17f5ded87e3cd632a291f7752/Screen-Shot-2022-05-17-at-1.14.55-PM.png" data-mid="193633945" border="0"  src="https://freight.cargo.site/w/1000/i/f5a29a4d115a53c3aa5843eb47ee049594c6f8a17f5ded87e3cd632a291f7752/Screen-Shot-2022-05-17-at-1.14.55-PM.png" /&#62;
&#60;img width="1064" height="1422" width_o="1064" height_o="1422" data-src="https://freight.cargo.site/t/original/i/36a68739f215627f80652b7fe683aa3e1700a90f9b77f3eb6da4c9989fc2b0ab/Screen-Shot-2022-05-17-at-1.26.25-PM.png" data-mid="193633940" border="0"  src="https://freight.cargo.site/w/1000/i/36a68739f215627f80652b7fe683aa3e1700a90f9b77f3eb6da4c9989fc2b0ab/Screen-Shot-2022-05-17-at-1.26.25-PM.png" /&#62;
En Screen as Stage, las artistas reverberan, refractan, saltan y se yuxtaponen para acceder y elabora movimientos que antes no estaban disponibles para l_s coreógraf_s. Las capas de esta pieza involucran el cuerpo, las cámaras y el espacio. La coreografía explora la transmisión de los movimientos a las pantallas y las formas en que estas fragmentaciones pueden dislocar una sensación de verticalidad en el espectador y ofrece un nuevo escenario -- coreografiando a través de las pantallas.


Concepcion Coreografica: Renata Pereira LimaCoreografas: Ana G. Zambrano, Renata Pereira LimaPerformers: Ana G. Zambrano, Camila Arroyo, Renata Pereira LimaDiseño Sonoro y Multimedia: Daniel Herrera HERD


</description>
		
	</item>
		
		
	<item>
		<title>Screen As Stage </title>
				
		<link>https://beefwithgod.com/Screen-As-Stage-1</link>

		<pubDate>Mon, 27 Dec 2021 21:09:26 +0000</pubDate>

		<dc:creator>beefwithgod</dc:creator>

		<guid isPermaLink="true">https://beefwithgod.com/Screen-As-Stage-1</guid>

		<description>


 
	
	
Screen As Stage,&#38;nbsp;2021.

	Vernacular Institute. Mexico City, MX.
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&#60;img width="1565" height="1037" width_o="1565" height_o="1037" data-src="https://freight.cargo.site/t/original/i/cc06ba2a0cad61f5a5ad7e3830996b3ab167f87ea1f8ceb9722219efe7cbce34/000076350009.jpg" data-mid="128354491" border="0"  src="https://freight.cargo.site/w/1000/i/cc06ba2a0cad61f5a5ad7e3830996b3ab167f87ea1f8ceb9722219efe7cbce34/000076350009.jpg" /&#62;
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The choreographic score of Screen As Stage explores the transmission of movements to screens; we reverberate, refract, jump-cut,
and juxtapose the projections which appear on the walls of three separate gallery rooms. I was interested in investigating ways in which
the camera can take the role of the choreographer to access and elaborate on movements that were once unavailable to the body. Con-
sequently, we observe how these fragmentations can dislocate a sense of verticality in the viewer. Offering multiple stages / multiple
versions of the same score.

					Screen As Stage is the culmination of two weeks of movement research at Vernacular institute. The investigation began with an interest
in exploring representation (screen) versus reality. During the course of our research our interests shifted. We became intrigued by the
relationship of the body to the camera and the camera to the screen. The interconnectivity between these different modes of transmis-
sion are themselves choreographic. Together they form the score to Screen As Stage.Duration: 42 minutes eachGo Pro, three mini VCR handy-cams, three projectors, circuit looper, 8m x 8m white vynl, one mirror
Choreographic Conception: Renata Pereira LimaChoreographic Direction: Ana G. Zambrano, Isabel Eatherly Legate and Renata Pereira LimaSound Score: Isabel Eatherly Legate and Renata Pereira LimaCurator: Jo Ying PengCamera Technician: Laura AbadPhotographer: Liam BurkeVideographer: Alejandro Marcial

					1st Gallery: Go Pro / projection 1: ariel view / performers2nd Gallery: Three mini handycams / projection 2: zooms in-out connected to looper3rd Gallery: Mirror / projection 3: Go Pro live recording projected onto floor.



	
		
		
	
	
		
			
				
					

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